This article examines matters of social premises and qualities shaping the professional architectural community within the borders of the Voivodeship of Volyn of the 2nd Polish Republic (1921–1939, mainly consisting of architects of Polish origin). Volyn was an attractive region for work for both experienced as well as young Polish specialists who were just launching their professional careers. It was in connection with def ciencies in staffing as well as no prospects for employment in the civil service or the conducting of a private practice in the region during the interwar period that architects developed designs for a significant number of buildings belonging to various topological groups. The architectural image reflected the national–romantic and Avant Garde stylistic streams of the then contemporary architecture of Poland and Europe as well as their individual interpretation by the designers. Thanks to research looking into publications from the interwar period and archival documents, a sketch of the activities of Polish architects in Volyn over the 1920s and 1930s was developed discussing the creative portraits and characterization of the heritage of architects Tadeusz Krafft, Jan Siemiątkowski, Franciszek Kokesz, Stanisław Słowikowski, and Józef Nowak.